There are people who believe that the afterlife exists in how we are remembered by the living, that we are rewarded or punished in the memories of people who knew us. Writing is a means of keeping memories fresh and vivid, and in this poem Judson Mitcham, a Georgia poet, gives his father a nudge toward immortality.
Writing
But prayer was not enough, after all, for my father.
His last two brothers died five weeks apart.
He couldn’t get to sleep, had no appetite, sat
staring. Though he prayed,
he could find no peace until he tried
to write about his brothers, tell a story
for each one: Perry’s long travail
with the steamfitters’ union, which he worked for;
and Harvey—here the handwriting changes,
he bears down—Harvey loved his children.
I discovered those few sheets of paper
as I looked through my father’s old Bible
on the morning of his funeral. The others
in the family had seen them long ago;
they had all known the story,
and they told me I had not, most probably, because
I am a writer,
and my father was embarrassed by his effort. Yet
who has seen him as I can: risen
in the middle of the night, bending over
the paper, working close
to the heart of all greatness, he is so lost.
American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2003 by Anhinga Press. Judson Mitcham’s most recent book of poems isA Little Salvation: Poems Old and New, Univ. of Georgia Press, 2007. Poem originally printed in This April Day, Anhinga Press, 2003; reprinted from The Autumn House Anthology of Contemporary American Poetry, 2nd ed., Michael Simms, Ed., Autumn House Press, 2011, by permission of Judson Mitcham and the publisher. Introduction copyright © 2012 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.
